While news media has been busy focusing on the travails of Harvey Weinstein–and glamorizing the newly-appointed (or interim) corporate chiefs, for some reason, investigative journalism is losing cache…But, lo and behold, one Hollywood news journalist has peeled back the onion to discover what could be an episode from “Arrested Development” starring Weinstein & Co. President & COO David C. Glasser, who was elevated to share the CEO suite with Bob Weinstein as the Hollywood mogul sex scandal unfolded last week. As reported by Variety’s Gene Maddaus, Glasser, who started his Hollywood career as a child actor, has been a “person of interest” in more than a few financial fraud investigations extending back two decades. According to Maddaus’ reporting, “Glasser has long been dogged by legal issues that date back more than two decades. In the most serious case, Glasser’s former film finance company was used by the now defunct penny stock broker-dealer Hanover Sterling Securities to launder the proceeds of a massive stock manipulation scheme which, according to federal prosecutors, was connected to the Genovese crime family.” While Glasser managed to dodge the bullets of federal prosecutors in that incident, in an exclusive reveal, Glasser’s inglorious film finance history includes a long trail of yet-to-be paid civil court judgements in various jurisdictions for defrauding investors in an assortment of “pre-production finance deals.”

To be fair and balanced, Hollywood is as notorious for its deal makers advancing “the Art of Steal” as it is for casting couch hi-jinks for which Harvey Weinstein has been “reputation-ally cremated.” Just as Harvey is no lone wolf for gaslighting aspiring (and well-established) actresses and coercing them to observe (or enable) his sexual deviant behavior, Weinstein’s Glasser is not the only film finance aficionado who has played the deviant game of “hide the banana from investors.” The industry-common scheme is taking investors’ money, then later informing them the projects they backed either ‘died on the vine’ or courtesy of using two sets of accounting books, produced meager returns. One classic case study is the Academy Award winning film and box office blockbuster “Crash”, coincidentally produced by David Glasser and industry titan Bob Yari.  This was a small budget project investors backed but “somehow” didn’t produce any profits for distribution to those investors. For the record, the film Crash, written and directed by Paul Haggis, was produced on a budget of $7.5mil and brought in $250mil in ticket sales. According to Glasser’s partner Yari, the film was not profitable. According to a civil court finding, it was, and the producers were ordered to disgorge millions.

The connection between Glasser in that case, seems more than ‘tangential’, a phrase Glasser has invoked multiple times to investigators when being named a ‘person of interest’ in film funding schemes that have gone sideways under his watch. Glasser was also a target in a convoluted criminal investigation into the 2001 financing behind a remake of “Devil and Daniel Webster,”  the first and last directorial debut for Hollywood bad boy Alec “Bloviator” Baldwin, who also starred in the film with among others, Sir Anthony Hopkins and Jennifer Hewitt.  As reported at the time, before the film could be completed, Baldwin went over the limit on expenses, including renting a government venue for shooting certain scenes. When confronted with the bill, he claimed (to the FBI) that Glasser committed fraud. The reels were ultimately seized during post production editing by a bankruptcy court. In partnership with Bob Yari, Glasser then quietly acquired the rights from the bankruptcy court for pennies, the “new producers” then changed the title and sold the property to Starz. The story behind Glasser’s role in the financial shenanigans is the topic of a novel making its second way around book publishing circuits, but upon closer look, that case is part of a longer trail in which Glasser has found to have defrauded investors.

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As evidenced by interrogating pacer.gov–Glasser is better cast as a serial financial fraudster who has racked up multiple civil court judgements in various jurisdictions, -each of which determined Glasser had perpetrated fraud relating to ‘pre-production film financing’ schemes in which investors lost all and restitution awards were mandated by the various courts. As best as can be determined, those restitution awards, totaling several millions of dollars, remain unsatisfied. In 2004, in the midst of various litigations, Glasser transferred ownership of his $2.8mil home in Hollywood’s Calabasas community to a ‘trust’ held by him and his wife.  Why the complicated 3 Card Monty game to shield title to that asset? One could conclude (as many have already) the ‘former child actor’ is a notorious bad actor, as evidenced by the cases below.​

Here’s 1 example http://caselaw.findlaw.com/tn-supreme-court/1651031.html.
A quick trip to court record database www.pacer.gov provides more insight to cases back in ’05 ’06 and ’14 3 other cases prior to ’05 are not available in the pacer.gov dbase, but through a stealth investigations, those records are being held pending what could prove to be a blockbusting class action law suit against Glasser.

1 Glasser, David C. (dft) flsdce 0:2005-cv-61655 140 10/14/2005 08/18/2006

2 Glasser, David C. (dft) txwdce 6:2006-cv-00178 370 06/26/2006 04/20/2007

3 Glasser, David C. (dft) cacdce 2:2014-cv-01947 890 03/14/2014 05/07/2014

4 Glasser, David C. (dft) cacdce 2:2014-mc-00058 890 01/31/2014